In May 2003, Tiffany Woods emailed David a series of questions in the course of writing a paper. She was a student at the University of North Carolina Greensboro and taking a Band Literature course with Dr. John Locke. David wrote a thorough response. The interview has been excerpted from their correspondence and interleaved here. [...]
David discusses his composing process and the inspiration for Symphony No. 10. This is excerpt from David's forthcoming memoir, written only months before his death.
What's next for the music of David Maslanka?
What do I find interesting? I am a constant and wide-ranging reader. My undergrad and graduate work was almost all music, with just minimum requirements in other areas. Since that time I have done extensive reading in many topics, including history, psychology, anthropology, religion, mythology and poetry. I read very little about music! History can [...]
David Maslanka was honored with an honorary doctorate by St. Olaf College. Here's the entire ceremony: The following is the full text of Dr. Timothy Mahr's and David Maslanka's remarks. Dr. Timothy Mahr's remarks [starts at 11:50] On the nomination of the faculty, and with the approval of the St. Olaf Board of [...]
Midwest 2015 Maslanka Press exhibited at the Midwest Clinic in Chicago this past December for the first time. We were excited to welcome so many enthusiastic friends to the back corner of the McCormick Center. We expect this to be the first of many appearances at festivals and conventions across the United States and around [...]
The following is from an email exchange with Natasha Rotondaro, a grade 12 student from Emily Carr Secondary School in Vaughn, Ontario Natasha Rotondaro: What is your musical background? David Maslanka: I began clarinet studies at age nine. As a high school student I took lessons at the New England Conservatory in Boston, MA, and [...]
Playing Symphony No. 9 with a high school band was supposed to be impossible. Sam Ormson writes about his musical development through David's music.
Works for Younger Wind Ensembles We've just posted a two-part series going over David's more accessible works for wind ensemble. Read part 1, talking about how directors might think about selecting new music and part 2, a listing (in order of difficulty) of works with commentary by David himself. New Works Saint Francis (2015) 18' Grade 5-6 for [...]
We'd love to encourage you to write to David with questions or comments that you have about his music. He loves hearing your thoughts and feelings. Get in touch on the Contact page. June 6, 2015: Mark Weidenaar wrote David with the following question: How does your knowledge of consciousness impact the music you write, [...]
In the second movement of David Maslanka's Concerto for Trombone and Wind Ensemble, there is an extended and demanding technical section from m. 108 to m. 256, about four minutes of nearly continuous playing. It rests in the upper tessitura of the trombone range, mostly between D3 and C4, and alternates between very loud staccato [...]
Russell Peterson, professor of saxophone at Lawrence University in Appleton WI, interviewed David Maslanka on 30 November 1998 after premieres of Mountain Roads for saxophone quartet, commissioned and performed by the Transcontinental Saxophone Quartet and Song Book for alto saxophone and marimba, commissioned and performed by Steve Jordheim and Dane Richeson there. This interview touches [...]