Symphony No. 7

Maslanka Weekly: Best of the Web – No. 98, New and Classic Recordings of David’s Symphonies

Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature two new performances of favorite symphonies: Symphony No. 4Symphony No. 7, and the recording of the premiere performance of "Allegro Molto" from Symphony No. 2.

Maslanka Weekly: Best of the Web – No. 71, Slow Movements

Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three of David’s compositions (of which there are literally dozens to choose from) that highlight some of his most beautiful writing in slower tempi: "Movement I" from Recitation Book, "Slow" from Symphony No. 7, and "Slow" from Sonata for Alto Saxophone and Piano.

David Maslanka’s Symphony No. 7 : An Examination of Analytical, Emotional, and Spiritual Connections Through a “Maslankian” Approach

Lane Weaver’s doctoral dissertation on David’s Symphony No. 7 provides an analysis of each movement while providing an inside look into the creation of this symphony. The author also provides thorough biographical information and an extensive discussion of the “Maslankian” approach to composition.

David Maslanka’s Symphony No. 7 : An Examination of Analytical, Emotional, and Spiritual Connections Through a “Maslankian” Approach
PDF, 3.5 MB

Abstract:
With a composition career spanning from the early 1970s to the present, David Maslanka (b.1943) has earned wide recognition as an important and respected composer of music for nearly every setting. While he has contributed significantly to chamber music, solo literature, vocal settings, and works for symphony orchestra, his compositions for percussion and wind band have arguably provided his most universal acclaim. All six of Maslanka’s band symphonies are considered noteworthy compositions. His distinctive musical voice emerges in each of these works as he explores the gamut of emotional impact from the darkest pain to the most euphoric joy. Such wide ranging scope is not limited solely to the musical moods Maslanka paints, but also includes the means he employs to paint them.

Maslanka’s compositional method is rather unique and quite spiritual in nature as each work is produced through a great deal of subconscious exploration and meditation. His meditations often result in dream images that he translates into musical material. These translations typically are not a moment-by-moment, image-by-image retelling of the meditation, but instead are musical impressions motivated by the impulses of energy Maslanka perceives. Maslanka takes great interest […]

By |2016-12-09T23:08:46+00:0021 May 2011|Reference, Symphony No. 7|