The Nature of Consciousness: Correspondence
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June 6, 2015: Mark Weidenaar wrote David with the following question:
How does your knowledge of consciousness impact the music you write, and how do you feel your music has evolved along with your own personal journey?
David responded as follows:
Your question is pretty much all-inclusive! Not so easy to get at, but I will try to give some ideas. I don’t think of music as depicting consciousness but as a manifestation of it. Music is not “about” consciousness, but the thing itself in sound. When I am working with performers I might use images and stories to give them a personal context, but fundamentally and persistently I am giving them permission to allow the full value of each musical element. The permission idea is a really important one. I can give them the safe place to open themselves fully. Ideally this is what conductors do. It takes a centered sense of self, and a developed musical imagination. The key issue here is that each musical moment can and must be actively imagined by the conductor, and through that, consciously opened in the players. Much music making is relatively passive, without full conscious engagement by the performers. You can get okay performances, but it will be the happy and relatively rare accident when real heat shows up.
The question of […]