Dr. Stephen Bolstad’s dissertation on David’s Symphony No. 4 gives a thorough analysis and helpful advice to conductors. The author also includes a brief biographical sketch and provides insight into David’s unique compositional approach to this work.
In the last two decades of the Twentieth Century, the wind band music of David Maslanka has become well known and widely performed. A number of his compositions are becoming increasingly recognized as new additions to the standard wind band repertoire. The Symphony No. 4 is becoming such a work. The purpose of this treatise is to examine David Maslanka’s Symphony No. 4 with the goal of providing information, which will be valuable to a conductor or performer preparing the work for performance.
The composer’s meditative approach to the compositional process is examined with specific details concerning the source materials and inspirations pertinent to the creation of the Symphony No. 4. The episodic nature of the Symphony is examined with an analysis highlighting the unifying elements, which bind the various sections of the Symphony together. Performance considerations and suggestions, derived from interviews, discussions, and rehearsals with the composer, are presented to provide the conductor with insights about the Symphony No. 4.