Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we showcase three extraordinary performances of Mountain Roads.
From the Maslanka Archive features media and stories of David's life and work. This week, we are excited to feature Conor Bell's new dissertation on David's Bassoon Music.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we are exited to feature new performances of three works just uploaded to the web in the past seven days: Symphony No. 10: The River of Time, Recitation Book, and Illumination.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three electrifying new performances of works for saxophone: Recitation Book, Concerto for Alto Saxophone and Wind Ensemble and Sonata for Alto Saxophone and Piano.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three amazing performances from China: Alex and the Phantom Band, Tone Studies, and Mother Earth.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature recordings of three lesser-known works of David's: Images from "The Old Gringo," Little Symphony on the name BArnEy CHilDS, and Orpheus.
From the Maslanka Archive features media and stories of David's life and work. This week, we are excited to feature an address David gave on matters of tempo and dynamics from a masterclass given at Illinois State University.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three new performances of chamber works: Quintet for Winds No. 3, Song Book for Alto Saxophone and Marimba, and Sonata for Bassoon and Piano.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three amazing examples of how a few talented musicians have used technology to play David's music and make it available on the internet for us to enjoy.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three new performances of chamber works: Quintet for Winds No. 3, Quintet for Winds No. 1, and Sonata for Oboe and Piano.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three new outstanding performances of some of David’s works for percussion: My Lady White, Hohner, and Song Book for Alto Saxophone and Marimba.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three of the very best new performances of "The Soul Is Here for its Own Joy" from Songs for the Coming Day for Saxophone Quartet.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature two new amazing performances of "Fanfare and Variations on 'Durch Adams Fall'" from Recitation Book for Saxophone Quartet. We also feature a new video tutorial by Joey Resendez for altissimo fingering suggestions on the soprano saxophone.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three amazing performances of some of David’s best saxophone music: Concerto for Saxophone Quartet and Wind Ensemble, "Very Fast" from Sonata for Alto Saxophone and Piano, and "Finale" from Mountain Roads.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature performances of three works that contain themes of Old America: California, “Nighthawks” from This is The World, and "Shall We Gather at the River" from Symphony No. 9.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature performances of three works that give Shouts of Praise: Hosannas, “Overture” from Mountain Roads, and Morning Star.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature two new performances of Eternal Garden as well as a video designed by The David Maslanka Foundation to be shown before a performance of this music.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we showcase five extraordinary performances of Recitation Book from 2019.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three new performances of chamber works (or works written with chamber music contained therein): Quintet for Winds No. 4, "Inward" from Concerto for Saxophone Quartet and Wind Ensemble, and David’s transcription of J.S. Bach’s Goldberg Variations for Saxophone Quartet.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three of David’s works that contemplate the enigma of time: “At This Time” from Songs for the Coming Day, Symphony No. 10: The River of Time, and "A Song for the End of Time" from Song Book for Flute and Wind Ensemble.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three of David’s compositions (of which there are literally dozens to choose from) that highlight some of his most beautiful writing in slower tempi: "Movement I" from Recitation Book, "Slow" from Symphony No. 7, and "Slow" from Sonata for Alto Saxophone and Piano.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three of David’s compositions that traverse the evening landscape: "Evening Song" from Song Book for Alto Saxophone and Marimba, Evening Song for Horn and Piano, and "Our Prayer of Thanks" from A Carl Sandburg Reader.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three new performances of some of David’s best saxophone music: Songs for the Coming Day, Concerto for Alto Saxophone and Wind Ensemble, and David's transcription of J.S. Bach's Goldberg Variations for Saxophone Quartet.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three works by composers who have dedicated music to David and his memory: "After Maslanka" from Tribute Trio by Russell Peterson, Funeral Song for David Maslanka by Andrew Bockman, and Montis - Tribute to David Maslanka by Elliott Sorenson.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three of David’s works that aid us in times of mourning: Requiem, "Finale - Alle Menschen müssen sterben" from Mountain Roads, and In Memoriam.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three of David's works that celebrate or look to the joy of morning: "When I cannot love I wait for morning" from Songs for the Coming Day, On This Bright Morning, and Morning Star.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three new performances of saxophone quartet music: "Fanfare/Variations on Durch Adams Fall” from Recitation Book, "Inwardly" and "Dramatic" from Concerto for Saxophone Quartet and Wind Ensemble, and "The soul is here for its own joy" from Songs for the Coming Day.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week we celebrate the life of Alison Matthews by featuring three of David's works that have a movement dedicated to her: "Alison" from Symphony No. 10, "Song for Alison" from Song Book for Alto Saxophone and Marimba, and "For Pretty Alison" from My Lady White.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature performances of three of David’s works inspired specifically to help us as listeners and performers around the world create peace in our communities: Peace, Angel of Mercy, and Hymn for World Peace.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three compositions in which David references a color in the work's title: My Lady White, “Out of the Blue” from This is the World, and Golden Light.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three beautiful examples of David's "Songs Without Words," of which there are literally dozens to choose from: "Awakening" from Songs for the Coming Day, Evening Song, and "Lost" from Song Book for Alto Saxophone and Marimba.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three of David’s “lesser-known” chamber works: Quintet for Winds No. 4, Heaven to Clear When Day Did Close: Fantasy on a Theme of Barney Childs, and Arise!
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three compositions that specifically mention "dreaming" or "meditation" in their title: A Child's Garden of Dreams, Movement I, Sea Dreams: Concerto for Two Horns and Wind Ensemble, Movement III, and Recitation Book, Movement I, "Broken Heart: Meditation on the chorale melody Der du bist drei in einigkeit."
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three new recordings of favorite works: Tone Studies, Concerto for Saxophone Quartet and Wind Ensemble, and First Light.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature captivating performances of Hymn for World Peace, Out of this World, and This is the World.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we honor the life and legacy of Dr. Martin Luther King Jr. as we remember him through David's composition, Letter to Martin.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature five of the most extraordinary performances of Recitation Book, Mvt. V, Fanfare/Variations on Durch Adams Fall from 2018.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature phenomenal performances of Symphony No. 9, Hohner, and Tone Studies.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature thrilling performances of Symphony No. 5 and Recitation Book, Mvt. 5, "Fanfare/Variations on Durch Adams Fall."
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, emotional performances of Remember Me: Music for Cello and Nineteen Players, Requiem, A Solemn Music, and Beloved.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, amazing performances of Sonata for Bassoon and Piano, Movement II, Orpheus, and Little Concerto for Six Players.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, exceptional performances of Peace, Tone Studies, Movement V, "Wie Bist Du, Seele?" and David's transcription of Goldberg Variations for Saxophone Quartet.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, sensational performances of California, Montana Music: Fantasy on a Chorale Tune, and Montana Music: Three Dances for Percussion.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, phenomenal performances of Quintet for Winds No. 3, Movement I, Quintet for Winds No. 1, Movement 1, and the entirety of Quintet for Winds No. 2.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, spectacular performances of Sonata for Alto Saxophone and Piano, Sonata for Oboe and Piano, and Sonata for Bassoon and Piano.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we remember the life of David Maslanka and Alison Matthews with unforgettable performances of Symphony No. 4, "Song for Alison" from Song Book for Alto Saxophone and Marimba, and Symphony No. 10: The River of Time.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature the Masato Kumoi Saxophone Quartet with amazing performances of Songs for the Coming Day, Mountain Roads, and Recitation Book.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, a marvelous Concerto for Marimba and Band, Variations on Lost Love, and Song Book for Alto Saxophone and Marimba.
Remarks given on 18 April 2002 at Indiana University School of Music before a performance of the Concerto for Alto Saxophone and Wind Ensemble. Other works on the concert included Montana Music: Chorale Variations and Tears.
I want to give a few thoughts about how music acts in our lives. Music making is in the balance point between the conscious and unconscious minds. By way of brief illustration, the conscious part is the part we consider to be ourselves – the ego, the thinking part, the active does, the part that wakes up in the morning, and lives by the clock, and lives in a particular place, the part that has a name, and a personality, and a job.
By contrast, the unconscious part of ourselves, the part where dreams come from, does not live in time. That is, time means nothing to it. It lives in the whole universe but in no particular place. It has no personality but is life force itself. It does not have a name or a job identity, but comes forward to us as mythic forms and dreams.
Each of us has this mythic, timeless part. In mythology we are princes, kings, queens, warriors, wise men, and wise women. In a fundamental way these mythic identifications are who we really are. This part of ourselves is what allows us to identify so strongly with mythic characters, and why […]
Two quotes from the scientist and philosopher Rene Dubos in his 1962 book The Torch of Life:
“A fully developed human being cannot be thought of as an isolated creature. His or her potential attributes become fully realized only when he or she functions within a social matrix, on which he or she depends, against which he or she reacts, and to which he or she contributes. From microbe to human society, life is an expression of the mutual interdependence of parts.”
“It may well turn out that the creativeness of life depends in large part, or perhaps entirely, for individual organisms to form with others, intimate associations which generate new structures and properties…. This concept applies also to man, whose spiritual development is the outcome of highly integrated social relationships.”
Music performance is not possible without the cooperation of performers, and performers with audience. Performance taps into a deep spiritual creative power. It is conscious dream time and renewal shared by all.
Music performance is one of the antidotes to the evils rampant in today’s world. It is the antithesis of modern man’s dissociation and isolation. It is the antithesis of the human capacity for killing and environmental destruction. You can’t make good music without love, which means that you accept the people with whom you are making music. This knitting together of the human community at this local point is remembered, and spreads over and beyond a lifetime. Music making is one of the true models for […]
Remarks given before a performance of Montana Music: Trio for Violin, Cello and Piano.
Music is specifically healing. I know that I am alive today, and essentially well, because of it. Healing through music is not always miraculous in the instantaneous sense, although a powerful musical experience can change a life in an instant. I have experienced this myself, and seen it happen to others. Music’s healing power is most often a life-long process, which is finally no less miraculous!
I have thought for many years about the nature of what we call inspiration – what it is, and how it enters the conscious mind. In my early years I would have the sensation of music “breaking through” my conscious mind, the sensation of the conscious mind with all its troubles and fixations parting, and letting in something from somewhere else, a powerful something which had nothing to do with my personal troubles. After receiving this force, the “normal” mind would close in again. But once one has had this experience, there is an eagerness to explore it and find it again. And through this experience comes the recognition that one has touched an amazing source, a fundamental source, of life and power. I know now that the function of the conscious mind is to attune itself to this deeper source, to be the channel for the power to come through. That need has driven this lifetime of mine, and has prompted me again and again toward health, […]
Society of Composers Incorporated Region VIII Conference, University of Montana at Missoula. Keynote address by David Maslanka – November 20, 1998
As soon as one speaks about “truth” there will be objections. Since we live in time and with change, it can be argued that all values and conditions are relative, and that “true” is what works best in any set of circumstances. So, in talking about truth I acknowledge the reality we live in, but I also must acknowledge the absolute values upon which our world of relative values rests.
We live in relativity, and yet music touches a timeless resonance in us, and we are drawn into perceptions that go absolutely beyond this life and this time. I think the central fascination with the feeling nature of sound and with the truth of feeling is what drew us all to music in the first place, and what continues to draw and fascinate us all our lives. I can’t defend the truth of artistic perception in any empirical way. After all the arguments about the relative or absolute nature of things, about the nature of feeling, the validity of personal feeling, the nature of human nature, there is that thing in each of us – quite beyond the quirks of personality – that perceives rightness. And when that “click of rightness” happens, we are satisfied at a soul level. I want to talk about that experience and how it has guided me in three areas: the evolution of a musical language, […]
Remarks given at the University of Wisconsin-Whitewater, Nov.15.1992, before a performance of Symphony No.3.
I want to give a few thoughts on the roots of music and its purpose in human life.
Music comes supposedly from the human heart and mind. These are but two of the vibratory receiving centers of the human organism. The human organism comes from Planet Earth. We say “from dust to dust.” Each body is built from the elements of Earth and is continually recycling elements from the Earth. We eat food every day. To what end? So that we have “energy”. To what end? To have feelings and ideas, to make music, and to make many other things.
Bodies are fluid, recycling every seven years, so that each of us experiences a continual interaction with Mother Earth. The source of music then, would seem to be the Earth. We come from the Earth; if we are intelligent and spiritual, then the Earth is intelligent and spiritual, and by extension, the universe is intelligent and spiritual. If the Earth is the seed, then all that we see around us is the flowering and unfolding of that seed. And all of it is in continuous, fluid, interactive motion.
Music is one voice of the Earth, and by extension, one voice of the universe. That voice rises up through this wonderful human body – a body made of cells, cells made of molecules, molecules made of atoms, atoms made of neutrons, protons, electrons, electrons made of…pure energy. […]