March 2000 by Dan Willett, University of Missouri/Columbia
An intense piece requiring great sustaining power from the oboist. It is a reflection on a shamanic poem from Eskimo tradition.
This music was inspired by the idea of ecstatic vision, of seeing the beauty of the world directly as it is, without story of interpretation – direct, immediate, powerful, perception. As such, there is a quality of being swept up and swept along, regardless of one’s wishes, and also of being held in rapt stasis. Great demands are made of both the solo oboist and the pianist.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three new performances of chamber works: Quintet for Winds No. 3, Quintet for Winds No. 1, and Sonata for Oboe and Piano.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, spectacular performances of Sonata for Alto Saxophone and Piano, Sonata for Oboe and Piano, and Sonata for Bassoon and Piano.