Project Description

Wind Ensemble. (2008) 42′

Listen Now
The United States Army Band “Pershing's Own”
University of Miami

Perusal Score
PDF, 20 MB
(Opens in new window)


Sheet Music
Rent Performance Materials
(Carl Fischer)


Recordings

David Maslanka: Symphony No. 8 (2009)

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Illinois State University Wind Symphony, Stephen K. Steele, cond. Stephen Parsons, trombone, Adriana La Rosa Ransom, violoncello
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Ecstatic Vision (2011)

Ecstatic Vision (2011)

Mansfield University Concert Wind Ensemble, Adam F. Brennan, cond.
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Regenesis – Music of Renewal (2011)

Regenesis – Music of Renewal (2011)

Texas Christian University Wind Symphony, Bobby R. Francis, cond., American Brass Quintet

Instrumentation
Fl-2 Ob-2 EbCl BbCl-3 BCl CbCl Bsn-2 Cbsn SSx ASx-2 TSx BSx BsSx | Hn-4 Tpt-3(1»Picc) Tbn-2 BTbn Euph Tuba DB | Pno Timp Perc-5



Movements

  1. Moderate – Very fast
  2. Moderate
  3. Moderate – Very fast – Moderate – Very fast

Program Note
Symphony No. 8 is in three distinct movements, bur the musical layout suggests a single large-scale panoramic vista.

I began the composition process for this symphony with meditation, and was shown scenes of widespread devastation. But this music is not about the surface of our world problems. It is a response to a much deeper vital creative flow which is forcefully at work, and which will carry us through our age of crisis. This music is a celebration of life. It is about new life, continuity from the past to the future, great hope, great faith, joy, ecstatic vision, and fierce determination.

The old is continually present in the new. The first movement touches the “Gloria” from my Mass: “Glory to God in the highest,” whatever that may mean to you: the power of the universe made manifest to us and through us. The second movement is a large fantasia on the old Lutheran chorale melody Jesu meine Freude (Jesus My Joy). The life of Christ is one powerful image of the high creative: being willing to be broken to receive the new; giving oneself up entirely so that a new idea can be born. The old form of the organ chorale prelude underlies this movement – new language out of the old.

The third movement is a music of praise and gratitude for all that is. It can be traced to the very end of the favorite old hymn tune All Creatures of Our God and King – the part with the joyous descending major scale where all the bells ring out. I recently used this tune for a set of variations in a piece called Unending Stream of Life, a name which could also be a fitting subtitle for this new symphony.

Program note by David Maslanka