Project Description
Flute and Piano
1972
20 min.
Listen Now
Kimberly McCoul Risinger, Flute, Alison Brewster-Franzetti, Piano
On the album Sonata Fantasy
Preview Score
Movements
- A mystery
- An interlude
- A sore point, or a touchy question, or the unanswered question put yet another way
- A mystery
- A fanfare
- A mystery
Description
A mystery
An interlude
A sore point, or a touchy question, or the unanswered question put yet
another way
A mystery
A fanfare
A mystery
The opening and closing “mysteries” are coloristic/impressionistic in character. The “interlude” for piano solo reflects my interest in the melody-spinning capacity of J.S.Bach in a piece such as the middle movement of the Italian Concerto, although this “interlude” is quite modern. The core of the piece is “a sore point…” This movement is an extended technical “monsterpiece” for both players. The following quiet mystery is deeply reflective , and the brief “fanfare” introduces the final episode.
Program Note
“The Duo is in six sections with a coda. Three of these sections bear the heading ‘a mystery,’ referring in whatever way to the great mysteries of the universe and of life. Following the opening ‘mystery’ is an ‘interlude’ for piano solo. The right hand spins an elaborately decorated melody over a sparse accompaniment in the left hand. This ’spinning out’ has its roots mainly in the keyboard music of J. S. Bach. The title of the next section, ‘a sore point; or: a touchy question; or: the unanswered question put another way,’ owes a nod to Charles Ives’ The Unanswered Question.
This music is obsessive, insistent, and clangorous. It goes farther than the listener is comfortable in going, but in so doing, breaks the bonds of anger. The harmonic language is tonal but extremely dissonant. The second ‘mystery’ is a quiet soliloquy for flute with a very sparse backdrop of piano chords. The sound of the Japanese shakuhachi flute is an important influence on this music. A clear C tonality is evident. A ‘fanfare’ of some length leads into the third ‘mystery,’ which is a distant music, having the quality of a candle flame, that is, placid on the surface, yet filled with an inner life. It fades into the coda, which refers to material from the ‘fanfare’ and the ‘interlude.’ There is a gasping, choked quality in the flute, and a dead finality in the piano. The piece ends in a grey and lonely stalemate.”
Further Reading
Maslanka Weekly: Best of the Web – No. 118, Recent Performances of Mountain Roads
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we showcase three extraordinary performances of Mountain Roads.
From the Maslanka Archive – No. 37, Conor Bell’s New Dissertation on David’s Bassoon Music
From the Maslanka Archive features media and stories of David's life and work. This week, we are excited to feature Conor Bell's new dissertation on David's Bassoon Music.
From the Maslanka Archive – No. 32, Julian Velasco’s Interview of David – Part 2
From the Maslanka Archive features media and stories of David's life and work. This week, we are excited to feature Part 2 of Julian Velasco's interview of David from his home in Missoula, MT in 2016.
Maslanka Weekly: Best of the Web – No. 111, Freshly Uploaded to the Web!
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we are exited to feature new performances of three works just uploaded to the web in the past seven days: Symphony No. 10: The River of Time, Recitation Book, and Illumination.
Maslanka Weekly: Best of the Web – No. 107, Electrifying Saxophone Performances
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three electrifying new performances of works for saxophone: Recitation Book, Concerto for Alto Saxophone and Wind Ensemble and Sonata for Alto Saxophone and Piano.
Maslanka Weekly: Best of the Web – No. 105, Amazing Performances from China
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three amazing performances from China: Alex and the Phantom Band, Tone Studies, and Mother Earth.
Maslanka Weekly: Best of the Web – No. 104, Recordings of Lesser-Known Works
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature recordings of three lesser-known works of David's: Images from "The Old Gringo," Little Symphony on the name BArnEy CHilDS, and Orpheus.
From the Maslanka Archive – No. 24, David on Matters of Tempo and Dynamics
From the Maslanka Archive features media and stories of David's life and work. This week, we are excited to feature an address David gave on matters of tempo and dynamics from a masterclass given at Illinois State University.
Maslanka Weekly: Best of the Web – No. 99, Even More New Performances of Chamber Music
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three new performances of chamber works: Quintet for Winds No. 3, Song Book for Alto Saxophone and Marimba, and Sonata for Bassoon and Piano.
Maslanka Weekly: Best of the Web – No. 97, Playing in Quarantine
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three amazing examples of how a few talented musicians have used technology to play David's music and make it available on the internet for us to enjoy.
Maslanka Weekly: Best of the Web – No. 95, More New Performances of Chamber Music
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three new performances of chamber works: Quintet for Winds No. 3, Quintet for Winds No. 1, and Sonata for Oboe and Piano.
Maslanka Weekly: Best of the Web – No. 92, New Performances of Percussion Music
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three new outstanding performances of some of David’s works for percussion: My Lady White, Hohner, and Song Book for Alto Saxophone and Marimba.
Maslanka Weekly: Best of the Web – No. 90, New Performances of “The Soul Is Here for its Own Joy”
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three of the very best new performances of "The Soul Is Here for its Own Joy" from Songs for the Coming Day for Saxophone Quartet.
Maslanka Weekly: Best of the Web – No. 88, New Performances of Recitation Book, Movement V
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature two new amazing performances of "Fanfare and Variations on 'Durch Adams Fall'" from Recitation Book for Saxophone Quartet. We also feature a new video tutorial by Joey Resendez for altissimo fingering suggestions on the soprano saxophone.
Maslanka Weekly: Best of the Web – No. 84, More Amazing Saxophone Performances
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three amazing performances of some of David’s best saxophone music: Concerto for Saxophone Quartet and Wind Ensemble, "Very Fast" from Sonata for Alto Saxophone and Piano, and "Finale" from Mountain Roads.
Maslanka Weekly: Best of the Web – No. 83, Old America
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature performances of three works that contain themes of Old America: California, “Nighthawks” from This is The World, and "Shall We Gather at the River" from Symphony No. 9.
Maslanka Weekly: Best of the Web – No. 82, Shouts of Praise
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature performances of three works that give Shouts of Praise: Hosannas, “Overture” from Mountain Roads, and Morning Star.
Maslanka Weekly: Best of the Web – No. 81, Eternal Garden
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature two new performances of Eternal Garden as well as a video designed by The David Maslanka Foundation to be shown before a performance of this music.
Maslanka Weekly: Best of the Web – No. 79, Recitation Book (2019)
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we showcase five extraordinary performances of Recitation Book from 2019.
Maslanka Weekly: Best of the Web – No. 75, New Performances of Chamber Music
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three new performances of chamber works (or works written with chamber music contained therein): Quintet for Winds No. 4, "Inward" from Concerto for Saxophone Quartet and Wind Ensemble, and David’s transcription of J.S. Bach’s Goldberg Variations for Saxophone Quartet.
Maslanka Weekly: Best of the Web – No. 74, Time
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three of David’s works that contemplate the enigma of time: “At This Time” from Songs for the Coming Day, Symphony No. 10: The River of Time, and "A Song for the End of Time" from Song Book for Flute and Wind Ensemble.
Maslanka Weekly: Best of the Web – No. 71, Slow Movements
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three of David’s compositions (of which there are literally dozens to choose from) that highlight some of his most beautiful writing in slower tempi: "Movement I" from Recitation Book, "Slow" from Symphony No. 7, and "Slow" from Sonata for Alto Saxophone and Piano.
Maslanka Weekly: Best of the Web – No. 70, Evening
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three of David’s compositions that traverse the evening landscape: "Evening Song" from Song Book for Alto Saxophone and Marimba, Evening Song for Horn and Piano, and "Our Prayer of Thanks" from A Carl Sandburg Reader.
Maslanka Weekly: Best of the Web – No. 68, More New Performances of Saxophone Music
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three new performances of some of David’s best saxophone music: Songs for the Coming Day, Concerto for Alto Saxophone and Wind Ensemble, and David's transcription of J.S. Bach's Goldberg Variations for Saxophone Quartet.
Maslanka Weekly: Best of the Web – No. 59, Music For David
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three works by composers who have dedicated music to David and his memory: "After Maslanka" from Tribute Trio by Russell Peterson, Funeral Song for David Maslanka by Andrew Bockman, and Montis - Tribute to David Maslanka by Elliott Sorenson.
Maslanka Weekly: Best of the Web – No. 58, Mourning
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three of David’s works that aid us in times of mourning: Requiem, "Finale - Alle Menschen müssen sterben" from Mountain Roads, and In Memoriam.
Maslanka Weekly: Best of the Web – No. 57, Morning
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three of David's works that celebrate or look to the joy of morning: "When I cannot love I wait for morning" from Songs for the Coming Day, On This Bright Morning, and Morning Star.
Maslanka Weekly: Best of the Web – No. 56, New Performances of Saxophone Quartet Music
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three new performances of saxophone quartet music: "Fanfare/Variations on Durch Adams Fall” from Recitation Book, "Inwardly" and "Dramatic" from Concerto for Saxophone Quartet and Wind Ensemble, and "The soul is here for its own joy" from Songs for the Coming Day.
Maslanka Weekly: Best of the Web – No. 55, Alison
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week we celebrate the life of Alison Matthews by featuring three of David's works that have a movement dedicated to her: "Alison" from Symphony No. 10, "Song for Alison" from Song Book for Alto Saxophone and Marimba, and "For Pretty Alison" from My Lady White.
Maslanka Weekly: Best of the Web – No. 51, Peace
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature performances of three of David’s works inspired specifically to help us as listeners and performers around the world create peace in our communities: Peace, Angel of Mercy, and Hymn for World Peace.
Maslanka Weekly: Best of the Web – No. 45, References to Color
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three compositions in which David references a color in the work's title: My Lady White, “Out of the Blue” from This is the World, and Golden Light.
Maslanka Weekly: Best of the Web – No. 44, Songs Without Words
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three beautiful examples of David's "Songs Without Words," of which there are literally dozens to choose from: "Awakening" from Songs for the Coming Day, Evening Song, and "Lost" from Song Book for Alto Saxophone and Marimba.
Maslanka Weekly: Best of the Web – No. 43, Lesser-Known Chamber Works
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three of David’s “lesser-known” chamber works: Quintet for Winds No. 4, Heaven to Clear When Day Did Close: Fantasy on a Theme of Barney Childs, and Arise!
Maslanka Weekly: Best of the Web – No. 39, Dreams & Meditations
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three compositions that specifically mention "dreaming" or "meditation" in their title: A Child's Garden of Dreams, Movement I, Sea Dreams: Concerto for Two Horns and Wind Ensemble, Movement III, and Recitation Book, Movement I, "Broken Heart: Meditation on the chorale melody Der du bist drei in einigkeit."
Maslanka Weekly: Best of the Web – No. 38, Recent Maslanka CD Releases
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three new recordings of favorite works: Tone Studies, Concerto for Saxophone Quartet and Wind Ensemble, and First Light.
Maslanka Weekly: Best of the Web – No. 32, The World
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature captivating performances of Hymn for World Peace, Out of this World, and This is the World.
Maslanka Weekly: Best of the Web – No. 31, Letter to Martin
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we honor the life and legacy of Dr. Martin Luther King Jr. as we remember him through David's composition, Letter to Martin.
Maslanka Weekly: Best of the Web – No. 27, Recitation Book (2018)
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature five of the most extraordinary performances of Recitation Book, Mvt. V, Fanfare/Variations on Durch Adams Fall from 2018.
Maslanka Weekly: Best of the Web – No. 20, O Haupt voll Blut und Wunden
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature phenomenal performances of Symphony No. 9, Hohner, and Tone Studies.
Maslanka Weekly: Best of the Web – No. 19, Durch Adams Fall
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature thrilling performances of Symphony No. 5 and Recitation Book, Mvt. 5, "Fanfare/Variations on Durch Adams Fall."
Maslanka Weekly: Best of the Web – No. 18, Remembrance Music
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, emotional performances of Remember Me: Music for Cello and Nineteen Players, Requiem, A Solemn Music, and Beloved.
Maslanka Weekly: Best of the Web – No. 17, The Bassoon
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, amazing performances of Sonata for Bassoon and Piano, Movement II, Orpheus, and Little Concerto for Six Players.
Maslanka Weekly: Best of the Web – No. 16, Lesser-Known Works for Saxophone & Saxophone Quartet
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, exceptional performances of Peace, Tone Studies, Movement V, "Wie Bist Du, Seele?" and David's transcription of Goldberg Variations for Saxophone Quartet.
Maslanka Weekly: Best of the Web – No. 14, California & Montana
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, sensational performances of California, Montana Music: Fantasy on a Chorale Tune, and Montana Music: Three Dances for Percussion.
Maslanka Weekly: Best of the Web – No. 11, The Wind Quintet
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, phenomenal performances of Quintet for Winds No. 3, Movement I, Quintet for Winds No. 1, Movement 1, and the entirety of Quintet for Winds No. 2.
Maslanka Weekly: Best of the Web – No. 8, The Sonata
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, spectacular performances of Sonata for Alto Saxophone and Piano, Sonata for Oboe and Piano, and Sonata for Bassoon and Piano.
Maslanka Weekly: Best of the Web – No. 7, Tribute
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we remember the life of David Maslanka and Alison Matthews with unforgettable performances of Symphony No. 4, "Song for Alison" from Song Book for Alto Saxophone and Marimba, and Symphony No. 10: The River of Time.
Maslanka Weekly: Best of the Web – No. 5, Masato Kumoi Saxophone Quartet
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature the Masato Kumoi Saxophone Quartet with amazing performances of Songs for the Coming Day, Mountain Roads, and Recitation Book.
Maslanka Weekly: Best of the Web – No. 4, The Marimba
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, a marvelous Concerto for Marimba and Band, Variations on Lost Love, and Song Book for Alto Saxophone and Marimba.
Music in Life
Remarks given on 18 April 2002 at Indiana University School of Music before a performance of the Concerto for Alto Saxophone and Wind Ensemble. Other works on the concert included Montana Music: Chorale Variations and [...]
Further notes on Music Performance
Two quotes from the scientist and philosopher Rene Dubos in his 1962 book The Torch of Life: “A fully developed human being cannot be thought of as an isolated creature. His or her [...]
Music and Healing
Remarks given before a performance of Montana Music: Trio for Violin, Cello and Piano. Music is specifically healing. I know that I am alive today, and essentially well, because of it. Healing through music is [...]
Some things that are true: Reflections on being an artist at the end of the 20th century
Society of Composers Incorporated Region VIII Conference, University of Montana at Missoula. Keynote address by David Maslanka – November 20, 1998 As soon as one speaks about “truth” there will be objections. Since we live [...]
Thoughts on Composing
Excerpts from letters to young composers You ask about the soul nature of music, and are music and soul the same thing. Music is one of the expressions of soul. A person does not have [...]
The roots and purpose of music
Remarks given at the University of Wisconsin-Whitewater, Nov.15.1992, before a performance of Symphony No.3. I want to give a few thoughts on the roots of music and its purpose in human life. Music comes supposedly [...]
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