Project Description
Male Voice and Piano
1996
15 min.
Listen Now
Steven Kalm; recital 5 December, 2000
live recording
Completion
June 1996, Missoula, Montana
Movements
- When my father’s sperm…
- I am smeared…
- My friend had a stroke…
- When I really want to whine…
- Fierce, blinding night!…
- On the subway platform…
Description
1. “When my father’s sperm entered my mother’s egg
2. “I am smeared with the tar of night”
3. “My friend had a stroke”
4. “When I really want to whine”
5. “Fierce, blinding night!”
6. “On the subway platform”
The poems are grippingly dramatic, and the songs are starkly simple. Emphasis is placed on a clear understanding of the sung word.
Program Note
The “Black Dog Songs” address the issue of depression, and the struggle to stay alive in the face of depression. Moreover they speak to the struggle of the sould seeking God, and feeling the tough of God through depression.
The poems of “Black Dog Songs” are from the collection “If My Black Dog Returns” by Richard Beale. He writes the following note about the title:
Images of melancholia are very old in Western tradition. At various times is has been called “the blues”, “writer’s block”, or simply “the beast”. A modern version comes from Winston Churchill, who in a letter to his wife mentioned a German doctor famous for his ability to cure depression. He wrote that he may have use for him himself “…if my black dog returns.”
The images in Beale’s poems are always stark, and sometimes shocking. They are spare and unadorned, and tell precisely about a fierce inner reality. Most people do not look at or acknowledge this reality, except possible in their most private moments. Depression is viewed as incapacity and weakness. Yet depression and darkness are the well springs of creativity, and finally must be accepted and honored in the life.
The songs were composed in June of 1996. Following the completion of my “Mass” in the previous December, and a six-month period of utter exhaustion, these songs were the next things I wrote. They are so unlike the Latin Mass that I didn’t understand the relationship between the songs and the Mass. A composer friend who knows my work well suggested that the songs might represent a sermon on the Mass – the speaking out with the authority to do so of something utterly necessary to be said and heard, This idea makes sense to me, and I offer these songs to you in that spirit.
Text
Images of melancholia are very old in Western cultural tradition. At various times it has been called “the blues”, “writers block”, or simply “the beast”. A modern version comes from Winston Churchill, who in a letter to his wife mentioned a German doctor famous for his ability to cure depression. He wrote that he may have use for him himself…”if my black dog returns”.
When my father’s sperm entered my mother’s egg
I was encoded with depression. I see my fate in his face
in his late photographs. Knowing this lessons my shame.
I would have to be a monster to feel responsible
for the worthlessness I see in his face.
It was easier to indict Mom and Dad
than to accept responsibility.
Later I had to forgive them, of course
because I couldn’t live with the blame.
And I had to forgive you, too. Look at the sperm
and the egg. They do not know what they are doing
when you bring them together,
and you let them conflate whatever disasters they contain.
I am smeared with the tar of night.
It covers my imperfections
When I cannot love, or feel love
I wait for morning.
My friend had a stroke and lost his voice.
I can accept the fact that he will never say hello again.
It is harder now to share my feelings with him,
but it would help to know if he still loves me.
If I lived in a silence like his I would want arms around me
and voices to say what they love in life,
Like lines of poems that let us feel
their blood and their rhythmical breathing,
then I could em-brace the loss I did not plan.
When I really want to whine
I say death is just fine.
I make up images of Paradise
for people who are good and nice
They deserve it, I say,
for being faithful every day.
Fierce, blinding night! A cup of madness
tastes like wine, and whisks the pain away.
It earns the blame of the righteous,
a wild, searching light!
Panic in the downward dive,
the knife of memory
annealed and blunted by tongues of fire.
The night is bent by dream. The black dog
brings an umbrella. I open it
inside his mouth.
On the subway platform
I wanted to throw myself
on the third rail
and then I saw a light
and got on the train
and the suicide was averted.The antidepressant is not working
and I am thinking about death again.
In this world I am not what is wanted.
It is a lack of definitions, the right words.
Tics and seizures and migraines feel like hell–
sneezes and orgasms like little apertures of heaven–
Who would I be without images
of hellfire and heavenly crescendos
in my body?I try to vault the abyss
and fall into it.
Pharmaceuticals never reach
that far into the dark.
Goddam the suicides!, they say.
If you’ve never stood
on the subway platform
contemplating release,
if you’ve never knelt in the dark
praying for communion with nothingness,
you don’t know the mean-ing.I think of God and his silence,
and how my love for him
has not ended wild dives into the dark.
A carpet of frost and a clear cerulean sky,
and fingers of morning caressing the road.
The smell of leaves
musky and grapes in frozen air.
I want this nowness to endure
with the sun on my back
and release in my heart.
Further Reading
Maslanka Weekly: Best of the Web – No. 118, Recent Performances of Mountain Roads
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we showcase three extraordinary performances of Mountain Roads.
From the Maslanka Archive – No. 37, Conor Bell’s New Dissertation on David’s Bassoon Music
From the Maslanka Archive features media and stories of David's life and work. This week, we are excited to feature Conor Bell's new dissertation on David's Bassoon Music.
Maslanka Weekly: Best of the Web – No. 111, Freshly Uploaded to the Web!
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we are exited to feature new performances of three works just uploaded to the web in the past seven days: Symphony No. 10: The River of Time, Recitation Book, and Illumination.
Maslanka Weekly: Best of the Web – No. 107, Electrifying Saxophone Performances
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three electrifying new performances of works for saxophone: Recitation Book, Concerto for Alto Saxophone and Wind Ensemble and Sonata for Alto Saxophone and Piano.
Maslanka Weekly: Best of the Web – No. 105, Amazing Performances from China
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature three amazing performances from China: Alex and the Phantom Band, Tone Studies, and Mother Earth.