For wind ensembles and concertos, please use one player per part. For symphonies and concert pieces, more players may be used as desired. David’s full statement.
Moderate, With Heavy Energy
Slow – Dance Fantasy
This work was composed with the support of a National Endowment for the Arts fellowship-grant and is dedicated to the American pianist Joseph Dechario.
A concerto in three movements written for piano and an ensemble of orchestral winds, brass, percussion, and electric organ (no saxophone or euphonium).
This Concerto written between 1974 and 1976 was my first composition for wind ensemble. It was prompted in part by my Duo for flute and piano (1972), which was written for flutist Leone Buyse and pianist Joseph Dechario. Although he never played the concerto, Dechario’s performance work on the extremely demanding Duo inspired the concerto’s piano part.
This first piano concerto is an explosion contained in a classical form, and showed the nascent tendency in my music for both an objective formal process and a blossoming fantasy. Elements of extreme post-tonal violence are side by side with a sweet tunefulness and a gentle irony.
Program note by David Maslanka
Notes for the Performers
Mr. Maslanka notes that “things go so much better if the piano is positioned in the ensemble, facing the conductor. Piano lid has to be completely off and piano must be miked properly to achieve a balance with the ensemble with a minimum of distortion of piano tone. I no longer specify what kind of mikes because technology changes so rapidly. I have to rely on the good sense of performers and engineers.”
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, phenomenal performances of Quintet for Winds No. 3, Movement I, Quintet for Winds No. 1, Movement 1, and the entirety of Quintet for Winds No. 2.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, spectacular performances of Sonata for Alto Saxophone and Piano, Sonata for Oboe and Piano, and Sonata for Bassoon and Piano.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we remember the life of David Maslanka and Alison Matthews with unforgettable performances of Symphony No. 4, "Song for Alison" from Song Book for Alto Saxophone and Marimba, and Symphony No. 10: The River of Time.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature the Masato Kumoi Saxophone Quartet with amazing performances of Songs for the Coming Day, Mountain Roads, and Recitation Book.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, a marvelous Concerto for Marimba and Band, Variations on Lost Love, and Song Book for Alto Saxophone and Marimba.
Remarks given on 18 April 2002 at Indiana University School of Music before a performance of the Concerto for Alto Saxophone and Wind Ensemble. Other works on the concert included Montana Music: Chorale Variations and [...]
Remarks given before a performance of Montana Music: Trio for Violin, Cello and Piano. Music is specifically healing. I know that I am alive today, and essentially well, because of it. Healing through music is [...]
Society of Composers Incorporated Region VIII Conference, University of Montana at Missoula. Keynote address by David Maslanka – November 20, 1998 As soon as one speaks about “truth” there will be objections. Since we live [...]
Remarks given at the University of Wisconsin-Whitewater, Nov.15.1992, before a performance of Symphony No.3. I want to give a few thoughts on the roots of music and its purpose in human life. Music comes supposedly [...]