Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, spectacular performances of Sonata for Alto Saxophone and Piano, Sonata for Oboe and Piano, and Sonata for Bassoon and Piano.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we remember the life of David Maslanka and Alison Matthews with unforgettable performances of Symphony No. 4, "Song for Alison" from Song Book for Alto Saxophone and Marimba, and Symphony No. 10: The River of Time.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, sensational performances of Hohner, Crown of Thorns, and Hurtling Through Space at an Unimaginable Speed.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, we feature the Masato Kumoi Saxophone Quartet with amazing performances of Songs for the Coming Day, Mountain Roads, and Recitation Book.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, a marvelous Concerto for Marimba and Band, Variations on Lost Love, and Song Book for Alto Saxophone and Marimba.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, the Münchner Rundfunkorchester gives a stunning performance of 11:11 - A Dance at the Edge of the World and World Music.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, a spectacular Concerto No. 3 for Piano and Wind Ensemble, Beloved, and "Groucho's Dance" from Concerto No. 2 for Piano and Wind Ensemble.
Maslanka Weekly highlights excellent performances of David Maslanka’s music from around the web. This week, a fantastic Symphony No 8, Hymn for World Peace, and Requiem.
David discusses his composing process and the inspiration for Symphony No. 10. This is excerpt from David's forthcoming memoir, written only months before his death.
What's next for the music of David Maslanka?
David Maslanka was honored with an honorary doctorate by St. Olaf College. Here's the entire ceremony: The following is the full text of Dr. Timothy Mahr's and David Maslanka's remarks. Dr. Timothy Mahr's remarks [starts at 11:50] On the nomination of the faculty, and with the approval of the St. Olaf Board of [...]
On Feb. 4 2016, I traveled from New York City to meet Tim Mahr and the St. Olaf Band at Pascack Hills High School in Montvale, New Jersey. We were hosted by director of bands Chris Wilhjelm. Rehearsing Angel of Mercy with the St. Olaf Band and Dr. Tim Mahr in Montvale, NJ [...]
The following is from an email exchange with Natasha Rotondaro, a grade 12 student from Emily Carr Secondary School in Vaughn, Ontario Natasha Rotondaro: What is your musical background? David Maslanka: I began clarinet studies at age nine. As a high school student I took lessons at the New England Conservatory in Boston, MA, and [...]
Playing Symphony No. 9 with a high school band was supposed to be impossible. Sam Ormson writes about his musical development through David's music.
These are David's thoughts on choosing music. You can find the annotated repertoire list here. I have never been in charge of a school band program, but over the past 40-plus years I have seen hundreds of programs close-up as guest composer. While I do understand the need to teach specific aspects of music, I [...]
We'd love to encourage you to write to David with questions or comments that you have about his music. He loves hearing your thoughts and feelings. Get in touch on the Contact page. June 6, 2015: Mark Weidenaar wrote David with the following question: How does your knowledge of consciousness impact the music you write, [...]
Mark Morette of Mark Custom Recording shares his extensive experience in recording wind ensembles.
In the second movement of David Maslanka's Concerto for Trombone and Wind Ensemble, there is an extended and demanding technical section from m. 108 to m. 256, about four minutes of nearly continuous playing. It rests in the upper tessitura of the trombone range, mostly between D3 and C4, and alternates between very loud staccato [...]
The Maslanka Collected Chorales are an extraordinary tool to help develop blend, balance, intonation, and ensemble cohesion in groups ranging from large symphonic bands and orchestras to small chamber groups or sectionals. With a daily 5-10 minutes per rehearsal you will hear a significant improvement in melodic and harmonic pitch awareness in your players. Dr. [...]
Dr. Kip Franklin's doctoral dissertation on David's Eternal Garden: Four Songs for Clarinet and Piano begins with an overview of David's life, his compositional style, and the commissioning process for this work. Part two presents a thorough analysis of each of the four songs, followed by transcripts of interviews with the composer and a list of David's compositions [...]
Kate Sutton's Master's thesis is a study on David's Third, Fourth, and Ninth Symphonies with special emphasis on their themes on nature. She explores the influence that moving to Missoula, Montana had on David for Symphony No. 3, his connection to the "powerful voice of the Earth" in Symphony No. 4, and the themes of nature [...]
The Use of Johann Sebastian Bach’s Chorales in David Maslanka’s Quintet for Winds No. 3 for Flute, Oboe, Clarinet, Horn, and Bassoon
Elisa Moles' thesis on David's third Quintet for Winds focuses specifically on his use of Bach chorales. Her thorough analysis of the quintet displays David's use of chorales as an integral part of the composition. Through her research, she explains David's incorporation of thematic, harmonic, and formal chorale elements as a catalyst for his original composition, using the [...]
Dr. Kimberly Wester's doctoral dissertation on David's Eternal Garden focuses on the expressive interpretation of the work, providing performance considerations and an overview of research on music and emotion. Biographical information on David is also included with information on his creative process, as well as discussions with the commissioner of the work, Dr. Peggy Dees-Moseley. Expressive Interpretation in David Maslanka’s [...]
Dr. Travis Cross' doctoral dissertation includes a chapter on David's Song Book for Flute and Wind Ensemble and a transcript of an interview with the composer. His research presents an analysis of the Song Book's formal structure, harmonic scheme, and use of Bach chorales. Cross further discusses David's approach to writing the work, the interaction between the soloist [...]
David Maslanka’s Desert Roads, Four Songs for Clarinet and Wind Ensemble: An Analysis and Performer’s Guide
Dr. Joshua Mietz' doctoral dissertation on David's first clarinet concerto, Desert Roads, provides a comprehensive analysis and helpful advice to soloists and conductors performing the work. The author also includes thoroughly researched biographical information essential to understanding the evolution of David's composing from his early career to the creation of this concerto. PDF available through the following [...]
David Maslanka’s Symphony No. 7 : An Examination of Analytical, Emotional, and Spiritual Connections Through a “Maslankian” Approach
Lane Weaver's doctoral dissertation on David's Symphony No. 7 provides an analysis of each movement while providing an inside look into the creation of this symphony. The author also provides thorough biographical information and an extensive discussion of the "Maslankian" approach to composition. David Maslanka's Symphony No. 7 : An Examination of Analytical, Emotional, and Spiritual [...]
This is Scott Hippensteel's excellent dissertation from 2011 on Unending Stream of Life. He situates David's music in wind ensemble literature, discusses his style, and expertly analyses the piece itself. His recommendations for conductors preparing the work are especially helpful. A Study of David Maslanka's Unending Stream of Life PDF, 7 MB Abstract: This study [...]
A Conductor’s Insight Into Performance and Interpretive Issues in Give Us This Day by David Maslanka
Dr. Lauren Ann Denney Wright's doctoral dissertation on Give Us This Day focuses on the technical, expressive, and interpretive issues a conductor might face when programming this work. The dissertation also gives a brief biographical sketch, a discussion of David's compositional process, and the history of how this work came to be written. A Conductor's Insight Into [...]
Remarks made 7 December 2008 in Boone, NC before the premiere of A Child's Garden of Dreams, Book 2, by the Appalachian Symphony Orchestra, James Allen Anderson, conductor. I'm not going to say too much about the music here, but I do want to comment on how things go. The original Child's Garden [...]
Remarks given at the premiere performance of the Concerto for Trombone and Wind Ensemble, October 2007; Miami, Florida In the words of the Buddhist teacher Thich Nhat Hanh, “We are life, we are inextinguishable.” The reasons for living or dying, especially dying, and especially when someone close to us passes, are all too often inscrutable. [...]
The Sonata for Alto Saxophone and Piano (1988) by David Maslanka: An Analytical and Performance Guide
Dr. Camille Olin's doctoral dissertation on David's Sonata for Alto Saxophone and Piano provides a performer's guide to the sonata, as well as an analysis of the harmonic structure, harmonic language, and unifying features of the work. An interview with David is also included, providing a discussion of the work from the composer's perspective. The Sonata for Alto Saxophone [...]
Dr. Christopher Werner's doctoral dissertation uses David's Symphony No. 5 as a means of exploring a new score study and conducting performance method, the Lucid Analysis Technique, which is of his own creation. As explained in the dissertation, Werner's technique takes various musical events and elements in Symphony No. 5 and uses them as symbols for use in [...]
David Maslanka’s Symphony No. 3: A Relational Treatise on Commissioning, Composition, and Performance
Dr. Brenton Alston's doctoral dissertation on David's Symphony No. 3 focuses on how the work came to be commissioned and David's compositional approach to writing the work. The research presents a thorough analysis of each of the composition's five movements with concluding performance considerations. Finally, the appendices provide interview transcripts, facsimiles of the original program notes, an article about [...]
Dr. Stephen Bolstad's dissertation on David's Symphony No. 4 gives a thorough analysis and helpful advice to conductors. The author also includes a brief biographical sketch and provides insight into David's unique compositional approach to this work. David Maslanka's Symphony No. 4: A Conductor's Analysis with Performance Considerations PDF, 4 MB Abstract: In the last [...]
Remarks given on 18 April 2002 at Indiana University School of Music before a performance of the Concerto for Alto Saxophone and Wind Ensemble. Other works on the concert included Montana Music: Chorale Variations and Tears. I want to give a few thoughts about how music acts in our lives. Music making is in the [...]
Dr. Roy Breiling's doctoral dissertation covers the use of the chorale tune "Wer nur den lieben Gott lasst walten" ("If you but trust in God to guide you") in David’s composition, In Memoriam. The author also includes biographical information as well as an overview of David's compositional approach and how it relates to his musical style. David Maslanka's Use of a [...]
Remarks given before a performance of Montana Music: Trio for Violin, Cello and Piano. Music is specifically healing. I know that I am alive today, and essentially well, because of it. Healing through music is not always miraculous in the instantaneous sense, although a powerful musical experience can change a life in an instant. I [...]
An Examination of David Maslanka’s Marimba Concerti: Arcadia II for Marimba and Percussion Ensemble and Concerto for Marimba and Band: A Lecture Recital
Dr. Michael Varner's lecture recital on David's marimba concerti gives an analysis of the musical structure and marimba techniques in Arcadia II and the Concerto for Marimba and Band. The lecture provides insight into influences that have contributed to David's unique approach to writing for marimba and gives an overview of the wealth of repertoire he has written for this instrument. An Examination [...]
Society of Composers Incorporated Region VIII Conference, University of Montana at Missoula. Keynote address by David Maslanka – November 20, 1998 As soon as one speaks about “truth” there will be objections. Since we live in time and with change, it can be argued that all values and conditions are relative, and that “true” is [...]
Excerpts from letters to young composers You ask about the soul nature of music, and are music and soul the same thing. Music is one of the expressions of soul. A person does not have to be consciously aware of soul connection for soul force to be expressed through that person. The conscious mind and [...]
Russell Peterson, professor of saxophone at Lawrence University in Appleton WI, interviewed David Maslanka on 30 November 1998 after premieres of Mountain Roads for saxophone quartet, commissioned and performed by the Transcontinental Saxophone Quartet and Song Book for alto saxophone and marimba, commissioned and performed by Steve Jordheim and Dane Richeson there. This interview touches [...]
The five movements of A Child's Garden of Dreams are inspired by five dreams selected from Carl Jung's Man and His Symbols. Dr. David Booth's doctoral dissertation on A Child's Garden of Dreams provides an analysis of each of the work's five movements as a narrative. Booth's explanations of musical gestures and structure in the composition reference the five dreams while providing the context of the [...]
Remarks given on 29 March 1994 at Michigan State University before a performance of Symphony No. 4 It goes without saying that we live in dangerous times, and that the human family is threatened by forces within itself that it does not understand. Community is shattered, individuals are alienated, hunger, slaughter, and oppression continue and [...]
Remarks given at the University of Wisconsin-Whitewater, Nov.15.1992, before a performance of Symphony No.3. I want to give a few thoughts on the roots of music and its purpose in human life. Music comes supposedly from the human heart and mind. These are but two of the vibratory receiving centers of the human organism. The [...]