Symphony No. 3

David Maslanka and the Natural World: Three Studies of Music for Wind Ensemble

Kate Sutton's Master's thesis is a study on David's Third, Fourth, and Ninth Symphonies with special emphasis on their themes on nature. She explores the influence that moving to Missoula, Montana had on David for Symphony No. 3, his connection to the "powerful voice of the Earth" in Symphony No. 4, and the themes of nature [...]

By | 2016-12-09T23:08:46+00:00 21 March 2014|Reference, Symphony No. 3, Symphony No. 4, Symphony No. 9|

David Maslanka’s Symphony No. 3: A Relational Treatise on Commissioning, Composition, and Performance

Dr. Brenton Alston's doctoral dissertation on David's Symphony No. 3 focuses on how the work came to be commissioned and David's compositional approach to writing the work. The research presents a thorough analysis of each of the composition's five movements with concluding performance considerations. Finally, the appendices provide interview transcripts, facsimiles of the original program notes, an article about [...]

By | 2016-08-22T21:33:03+00:00 1 May 2004|Reference, Symphony No. 3|

The roots and purpose of music

Remarks given at the University of Wisconsin-Whitewater, Nov.15.1992, before a performance of Symphony No.3. I want to give a few thoughts on the roots of music and its purpose in human life. Music comes supposedly from the human heart and mind. These are but two of the vibratory receiving centers of the human organism. The [...]

By | 2016-12-09T23:08:47+00:00 15 November 1992|Chamber Music, Philosophy, Symphony No. 3|